The poor wretch, driven by desperation to the commission of a crime which her soul abhors, is no more beyond the hope of reformation than she is without the pale of mercy. Without realizing what she has done, she's made a dreadful mess of it. But before the Grieg concerto was done, she knew that she was free. While he was thus occupied, Thames, prompted by an unaccountable feeling of curiosity, took up the penknife which the other had just used, and examined the haft.
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