Already he was dramatizing Ruth, involving her, now in some pearl thieving adventure, now in some impossible tale of a white goddess. ‘A man who is false, who steals papers, who has a plot to take another’s name, who lies to the Mother Abbess and to me, and above all this—’ her voice near to breaking ‘—one who is French. She was not afraid of violence, but she was afraid of something mean, some secondary kind of force.
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