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Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “What is a ballot-box like, exactly?” she asked, as though it was very important to her. At last she was roused. ‘Take this. We’re hard stuff!” Then she went on: “To think that is my father! Oh, my dear! He stood over me like a cliff; the thought of him nearly turned me aside from everything we have done. He turned to her and pinned her against the headrest with his kisses. “It was very tiring. Narrow little beady brown eyes, and she’s got big eyebrows like dead caterpillars. John’s father brought down a violin from a high closet shelf. I do like to see old friends back here. She was dressed in one of those complicated dresses that are all lace and work and confused patternings of black and purple and cream about the body, and she was in many ways a younger feminine version of the same theme as himself.
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