"This," replied Jonathan, taking a paper from a portfolio, and handing it to the knight, "this written evidence, signed by Martha Cooper, the gipsy, by whom the girl was stolen, and who was afterwards executed for a similar crime. I shan't let you off a farthing. “Ruin me? For what? Posterity? How could you ruin me, Lucy? What on earth are you talking about?” He got up and began to pace the room. Then I assumed a rather portentous manner to prepare him. Moving swiftly to the end of the corridor, he pushed open a door at random and entered a large room, which looked to have been a saloon, judging from the faded gilt and crimson wall-paper, a mirror above the fireplace which was surrounded by an ornate gilded frame, now sadly tarnished, and a worn Chippendale sofa with striped upholstery and tasselled cushions. She found it extremely difficult to infuse an air of quiet correctitude into her return through the window, and when she was safely inside she waved clinched fists and executed a noiseless dance of rage.
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