” They loitered under trees, they sat on mossy banks they gossiped on friendly benches, they came back to lunch at the “Star and Garter,” and talked their afternoon away in the garden that looks out upon the crescent of the river. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. She held out the foil. I have been insulted, and cursed at, and threatened with both pistol and dagger. Wild horses wouldn’t drag it out of me, even I knew anything, which I don’t. " With no little effort—for the right words had a way of tumbling back out of reach—he marshalled his phrases, and as he uttered them, closed his eyes to lessen the possibility of a break. Warren’s Profession furtively with Hetty Widgett from the gallery of a Stage Society performance one Monday afternoon. I don’t see what you can have to say. Listen, Jack.
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