The south or principal front, looking, down the Old Bailey, and not upon it, as is the case of the present structure, with its massive walls of roughened freestone,—in some places darkened by the smoke, in others blanched, by exposure to the weather,—its heavy projecting cornice, its unglazed doubly-grated windows, its gloomy porch decorated with fetters, and defended by an enormous iron door, had a stern and striking effect. But it was her proof. \"What's that?\" Lucy asked. The galleries adjoining it were crowded with spectators,—so was the roof of a large tavern, then the only house standing at the end of the Edgeware Road,—so were the trees,—the walls of Hyde Park,—a neighbouring barn, a shed,—in short, every available position. She looked at it with a little shudder, but she made no motion to take it. It was horrible, but what could she do? She meant to live her own life, and he meant, with contempt and insults, to prevent her. And like that gospel it meant something, something different from its phrases, something elusive, and yet something that in spite of the superficial incoherence of its phrasing, was largely essentially true.
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